OH+MY+GOD!


 * AUGMENTED SIXTH CHORD**

__German__ is the MOST NORMAL augmented sixth chord Build a major triad and then add an augmented sixth on top... you get a **German!**

__Italian__ NOT COMPLETE! Lose the fifth and you will have an **Italian**

__French__ WEIRD! Change the fifth to an augmented fourth and you will have a **French!**


 * CADENCES**

__Final__ V - I //Authentic Perfect// vii0 - I //Authentic Inperfect// IV - I //Plagal//

__NonFinal__ V - vi //Deceptive// Stops on V or viiO //Half//


 * MODULATION**

__Modulation from one key to a different key..__ might not start exactly on the first chord of the next key.. Sometimes it start right away to the next key.. BUT.. Sometimes not.. It seems like the chord that was before the next key, is belong to the first key.. but sometimes it's also belong to the next key.. That's why that actually the modulation is starting on that chord before the actual next key..

__Making music with a modulation..__ You can modulate to any key you want.. as far as you are still using the key that IN the key before.. for example, you're in the key of C Major.. so you SHOULD modulate to : d minor, e minor, F Major, G Major, a minor, or b... NOT outside from those keys.. and then.. How you modulate it..?? There is always a bridge between them.. You can use : The fifth or the seventh of the next key

(**QUESTION** : is there anything related to Secondary Dominant? in this modulation bridge??)


 * NEOPOLITAN CHORD**

is a chord that come from a "__lowered second degree of the scale__" for example: in C Major scale the N chord is Db Major chord..

This N chord used to be used in **Tri-tone Substitution** WHY? because You can use this Tri-tone Substitution when you have ii - V - I progression and make it into ii - N ii - I progression

(**QUESTION** : is the progression changes right?) is that the only time N chord used?)